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Try Langdon’s List of 19th and 20th Century Photographers for information about when other American photographers had their studios in various locations.Search the city directories to narrow down the range of years a particular photographer was working in that location.Soon she will read you a story, play every game you can imagine, give you a warm bottle, keep you dry, safe, and happy. There is something about being able to look an ancestor in the eye—we make a connection to the people we can identify by both name and face. We wonder what they were thinking or doing, or why that photograph was taken on that particular day. Sometimes the people in the photograph are not who we think they are.In general, glass and metal plate photographs began to be replaced by photographs printed on paper by the 1870s. Some additional research (try Googling “early Chevrolet cars” for instance) leads you to a lot of pictures of a lot of cars.Although all three versions still exist today, paper was simply cheaper and easier to use and became the dominant form for printed photographs. But you can quickly narrow the years Chevrolet made cars with round hoods to about 1916-1921.
Knowing this couple was married in or near Montevideo, Minnesota between 18 helps us in our identification of this couple. ), the pair were seen "openly flirting with each other" at an Emmys after party. Afterwards, Tom and Priyanka talked closely and were holding hands at one point for a few moments," the (rather nosy) observer told E! "Priyanka fixed Tom's bow-tie and then the two kissed on both cheeks." They were also reportedly seen swapping phones to exchange phone numbers because L-U-R-V-E.While we're not ones to believe these kind of celeb flirtfest rumors, this whole scenario feels a little familiar, no?Understanding a little bit of the history of photography will help us to avoid the first pitfall and aid us in uncovering more information about those “unknown” family portraits.Clues in and on the photographs themselves can provide additional assistance in identifying the second class of images.
Do we throw out the photograph in frustration because we don’t know who it is?